Pejac recently spent some time in Paris, France where he worked his way through a couple of new street pieces including the above piece which is entitled “Ants”.
With his minimalist but clear style, he painted 2 silhouettes of kids being cruel with magnifying glass on what looks like colony of ants. But, instead of burning ants which is always an interesting game to play, these kids are burning little humans. The artist used the texture of raw concrete wall, and painted these little men to look as a realistic colony of ants. Juxtaposed with flat silhouettes of children, the tiny creatures shown with their shadows and in perspective, look very fragile and harmless. The Spanish artist also painted two extra pieces including a surrealistic and amazing door.
Check out more photos of the new pieces after the jump and come back soon for more mural updates from Pejac. This piece can be seen in person @ Avenue de 8 Mai 1945, Vitry-sur-Seine, Paris.
This mesmerising table was first conceived by Christopher Duffy — and ultimately refined by the team at Duffy London — to represent a 3D geological map of an ocean floor. The Abyss Table makes use of contour lines, which are often used to denote topography in terrain maps, to render an island chain and ocean abyss.
Contour lines can be thought of as workaround for the 2D limitations of paper maps, but Duffy instead relished these simplifications which have become iconic imagery for the field of cartography. He incorporates layers of wood to represent the land, and panes of glass for the water, in order to produce a 3 dimensional geographical model.
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera.
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
The artist Crystal Morey imagines ceramic sculptures strange and fascinating. Based on different representations of human with elements from the animal world, these creations resembling totems plunge us into a world apart. More after the jump.
An overview of the work of this artist born in Tehran in 1975, graduate of Fine Arts in Paris, he lives and works in Berlin. It is part of the generation of artists who define themselves in relation to Gerhard Richter, the undisputed master of the antinomy between figuration and abstraction.
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.